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Pressroom Podcasts
APM Film & TV Music Podcast
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All about composing and licensing library music for use in film, television, trailers, promos, video games, new media, radio and more. Sponsored by APM Music, the premier provider of production music services. |
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APM Music presents The Film & TV Music Podcast #37 with Clint Mansell, recorded at the 2008 Hollywood Reporter/Billboard Film & TV Music Conference
This SPECIAL EPISODE, featuring film composer Clint Mansell, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference, takes you inside the business of music for picture. It focuses on the production and licensing of music for film, television, radio and new media. This podcast is produced by production music services and music library giant APM Music.
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Film & TV Music PodcastAll about composing and licensing library music for use in film, television, trailers, promos, video games, new media, radio and more. Sponsored by APM, the premier provider of production music services. We are excited to feature two podcasts from the composers and filmmaker of the new DreamWorks Film, "Perfume: The Story of a Murderer". Download the Tom Tykwer or Reinhold Heil and Johnny Klimek episode now. |  |
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http://pressroom.apmmusic.com/pr/apm/1388-rss.xml |
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12/5/2008 12:05:07 PM
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| | Film & TV Music Podcast #37 - SPECIAL EPISODE, featuring composer Clint Mansell, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference
Exclusive interview with Golden Globe nominated film composer Clint Mansell, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference, takes you inside the business of music for picture. It focuses on the production and licensing of music for film, television, radio and new media productions. This podcast is produced by production music services and music library giant APM Music.
SHOW NOTES:
0:12 - Intro - Miki Turner interviews film composer Clint Mansell, whose innovative scores for films like TT and Requiem for a Dream have garnered him a cult status for his film score compositions.
1:06 - Mansell talks about his previous pop band, “Pop Will Eat Itself.”
2:24 - Mansell on his transition from recording artist to scoring films with Darren Aronofsky.
4:38 - Mansell on the difficulty of breaking into the soundtrack scoring business.
5:21 - Mansell discusses the type of music that draws him into films and television shows.
6:27 - Mansell on the technology he uses to create film music.
6:50 - Mansell on the importance of music in a scene.
7:47 - Mansell on working with motion picture director Darren Aronofsky.
8:41 - Mansell describes the musical tone of his score for the film The Wrestler.
13:11- Mansell on when he likes to be brought into a film to create an original score.
14:09 - Mansell on what different types of productions he’d like to do next.
14:08 - Mansell reveals his favorite film soundtracks and film composers.
16:13 - Mansell on why he enjoys scoring films versus recording commercial music.
18:00 - End
This podcast is produced by production music services and music library vanguard APM Music.
Author: APM Music
Type:mp3 Size:21181.5
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| 6/20/2008 3:59:10 PM
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| | Film & TV Music Podcast #36 - SPECIAL EPISODE, featuring Film Composer Mike Reagan, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference
This SPECIAL EPISODE, featuring film composer Mike Reagan, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference, takes you inside the business of music for picture. It focuses on the production and licensing of music for film, television, radio and new media. This podcast is produced by production music services and music library giant APM Music.
SHOW NOTES:
0:12 - Intro – Host Dan Kimpel interviews film music composer, songwriter and producer Mike Reagan. His award-winning musical scores have been featured in over 80 video games, dozens of television commercials, and has yielded a Grammy Award for Best Children's Film Soundtrack. Reagan's recent projects include the music for God of War, God of War II and Conan.
2:05 - Reagan on his academic adventure at UC Berkeley.
4:27 - Reagan reveals the small things that inspire him to write musical scores for films and video games.
6:55 - Reagan on how he views a musical score in relation to the rest of a production.
9:20 - Reagan on how technology has changed the process of scoring productions.
12:28 - Reagan on how scoring for television differs from scoring for other mediums.
14:30 - Reagan details his process for writing music cues to accompany animation.
17:20 - Reagan talks about his upcoming projects.
19:22 - Reagan on the difficulties of scoring for video games.
20:18 - End.
This podcast is produced by production music services and music library giant APM Music.
Author: APM Music
Type:mp3 Size:24542.9
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| 6/6/2008 11:55:50 AM
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| | Film & TV Music Podcast #35 - SPECIAL EPISODE, featuring Jay Faires of Lionsgate, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference
This SPECIAL EPISODE, featuring President of Music and Publishing at Lionsgate Entertainment Jay Faires, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference, takes you inside the business of music for picture. It focuses on the production and licensing of music for film, television, radio and new media. This podcast is produced by production music services and music library giant APM Music.
SHOW NOTES:
0:12 - Intro - President of Music and Publishing at Lionsgate Entertainment Jay Faires is interviewed by Billboard director of charts Geoff Mayfield. Since joining Lionsgate, the asset value of their music publishing has doubled, and they have received an Academy Award® nomination for Bird York's "In the Deep" from Best Picture winner CRASH. In the last two years, Faires has been responsible for bringing in artists such as Dr. Dre, John Legend, James Blunt, The Flaming Lips and Linkin Park, among many others to compose music for motion pictures.
1:45 - Faires on the number of films and television shows Lionsgate distributes annually.
2:31 - Faires on how to succeed in the music business.
3:54 - Faires on his transition from the commercial music to film music world.
6:23 - Faires describes Darren Lynn Bousman’s latest rock opera project, "Repo! The Genetic Opera."
9:57 - Faires on how the music industry is evolving in the information age.
11:49 - Faires on why mainstream radio only plays so little independent music and why web-based radio plays so much.
12:52 - Faires talks about today's youth and how they discover music without ever visiting a record store.
13:19 - End
This podcast is produced by production music services and music library giant APM Music.
Author: APM Music
Type:mp3 Size:16370.1
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| 5/23/2008 11:49:03 AM
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| | Film & TV Music Podcast #34 - SPECIAL EPISODE, featuring Paul Hepker and Mark Kilian, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference
This SPECIAL EPISODE, featuring film music composer Paul Hepker and filmmaker Mark Kilian, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference, takes you inside the business of film music and focuses on the production and licensing of film music and television music. This podcast is produced by production music services and music library giant APM Music.
SHOW NOTES:
0:12 - Intro - Host Dan Kimpel interviews film composer Paul Hepker and filmmaker Mark Kilian. Hepker scored Oscar-winning "Tsotsi" for writer/director Hood. Their latest collaboration is on the film, "Rendition" featuring Reese Witherspoon, Jake Gyllenhaal and Meryl Streep.
1:20 - Hepker on what brings him to compose film music in Hollywood, far from his home in South Africa.
2:30 - Kilian on the dynamic music culture of South Africa.
5:38 - Kilian describes the first stage in composing a film score.
7:25 - Hepker reveals the most interesting instrument they have incorporated into a film score.
8:40 - Kilian on their experience recording the film score of "Rendition" with the local Moroccan musicians.
13:13 - Hepker explains why Hood insisted on them to be on set in Morocco for the filming on "Rendition" before writing the film score.
14:04 - Hepker on the creative climate in Los Angeles.
17:22 - End
This podcast is produced by production music services and music library giant APM Music.
Author: www.apmmusic.com
Type:mp3 Size:21106.5
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| 5/8/2008 1:51:20 PM
download MP3 (17.1 Mb)
| | Film & TV Music Podcast #33 - SPECIAL EPISODE, featuring Jesse Harris, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference
This SPECIAL EPISODE, featuring Jesse Harris, recorded at the 2007 Hollywood Reporter/Billboard Film & TV Music Conference, takes you inside the business of music for picture and focuses on the production and licensing of music for use in film, television, radio and new media. This podcast is produced by production music services and music library giant APM Music.
SHOW NOTES:
0:11 - Intro - Host Tim Coyne interviews Grammy-winning singer/songwriter Jesse Harris, who recently released his seventh solo album Feel, and was the composer and producer of Ethan Hawke’s “The Hottest State.”
3:44 - Harris on how he came to write, produce and act in “The Hottest State.”
6:12 - Harris on the genres that best characterize his music.
8:02 - Harris explains what he means by, “The more people try to reveal, the less they reveal.”
9:16 - Harris on why he occasionally writes personal songs he thinks other cover singers will not relate to.
9:42 - Harris on his transition from having his own record label to writing songs for others to sing.
10:06 - Harris critiques his acting skills in “The Hottest State.”
11:24 - Harris plays us one of this songs, “It Will Stay with Us.”
14:16 - End
This podcast is produced by production music services and music library giant APM Music.
Author: www.apmmusic.com
Type:mp3 Size:17550.4
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| 4/25/2008 9:10:41 AM
download MP3 (26.9 Mb)
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| | Film & TV Music Podcast #32 - SPECIAL EPISODE, featuring Michael Brook, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference
This SPECIAL EPISODE, featuring Michael Brook, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference, takes you inside the business of music for picture and focuses on the production and licensing of music for use in film, television, radio and new media. This podcast is produced by production music services and music library giant APM Music.
SHOW NOTES:
0:12 - Intro - Host Dan Kimpel interviews composer Michael Brook, who composed the score for Al Gore documentary on global warming, "An Inconvenient Truth," and Sean Penn's Academy Award® nominated film "Into the Wild."
2:57 - Brook on his shift from solo albums to film music.
6:12 - Brook talks about how he came to work on his recent project, "An Inconvenient Truth."
10:18 - Brook on how he fell into inventing his own instrument.
12:48 - Brook shares his views on the different outlook Canadians, like himself, have on music composition compared to Americans.
14:35 - Brook discusses the projects he is currently working on.
15:50 - Brook reveals the story behind his recording studio’s name, "Lavanderia."
16:40 - Brook on the types of films he connects with the most.
18:13 - Brook on his greatest film music influences.
22:35 - End
This podcast is produced by production music services and music library giant APM Music.
Author: www.apmmusic.com
Type:mp3 Size:27578
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| 4/11/2008 12:08:48 PM
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| | Film & TV Music Podcast #31 - SPECIAL EPISODE, featuring Jan Kaczmarek, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference
This podcast, produced by the APM Music, premiere resource for music licensing in film, broadcast, video games and new media, takes you inside the business of music for picture and focuses on the production and licensing of music for use in film, television, radio and new media productions.
SHOW NOTES:
0:11 - Intro - Host Dan Kimpel interviews Academy Award-winning composer Jan Kaczmarek, who is best known for his film scores on "Total Eclipse," "Washington Square," "The Third Miracle," "Lost Souls" and "Unfaithful." His film music can also be heard in the upcoming motion picture release "Evening."
1:18 - Kaczmarek discusses his current film music projects for upcoming movies.
2:47 - Kaczmarek dicusses the influence that a film's "feminine spirit" has on composing its score.
3:57 - Kaczmarek shares his inner most professional dreams and aspirations.
6:02 - Kaczmarek on the creative environment in the US versus Europe.
8:55 - Kaczmarek on how he generates his inspiration and translates it into film music.
10:35 - Kaczmarek discusses the initial stages of developing his Academy Award-winning film music score for "Finding Neverland."
16:28 - Kaczmarek on his involvement in educational pursuits back in his hometown of Poland.
19:54 - Kaczmarek discloses his favorite composer.
21:05 - Kaczmarek shares his thoughts on how he maintains the integrity of his vision as a film music composer.
24:29 - End.
This podcast is produced by APM Music, the premiere resource for music licensing in film, broadcast, video games and new media. APM Music provides exclusive to the largest production music library in the United States.
Author: www.apmmusic.com
Type:mp3 Size:29732.2
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| 2/29/2008 4:57:19 PM
download MP3 (29.9 Mb)
| | Film & TV Music Podcast #30 - SPECIAL EPISODE, featuring Andrew Hollander, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference
This podcast, produced by the APM Music, the world's largest production music library, takes you inside the business of music for picture and focuses on the production and licensing of music for use in film, television, radio and new media productions.
SHOW NOTES:
0:11 - Intro - Host Dan Kimpel interviews composer, songwriter and producer Andrew Hollander, who is best known for his work on the feature film "Waitress."
1:37 - Hollander discusses the challenges and rewards working of composing original music for independent feature films.
3:15 - Hollander reveals what he believes sets him apart from his peers.
5:10 - Hollander on his tactics of incorporating song and score to match a film's tenor.
7:18 - Hollander on his transition from songwriter to composer.
8:57 - Hollander on the ways in which the messages in the music communicate to him.
11:25 - Hollander on his decision to live in New York as opposed to Los Angeles.
16:37 - Hollander talks about future projects he aspires to work on.
20:51 - Hollander on the different distribution outlets through which independent films can be viewed, aside from theatrical releases.
25:28 - End of the Film & TV Music Podcast, presented by the APM Music, the largest production music library.
This podcast is produced by production music library giant APM Music.
Author: www.apmmusic.com
Type:mp3 Size:30619.8
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| 2/8/2008 11:16:57 AM
download MP3 (27.8 Mb)
| | Film & TV Music Podcast #29 - SPECIAL EPISODE, featuring Alan Menken, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference
This podcast, produced by APM Music, production music library, takes you inside the business of music for pictures and focuses on the production and licensing of music for use in film, television, radio and new media.
SHOW NOTES:
0:12 - Intro - Music Connection Magazine's Music Columnist Dan Kimpel interview's composer Alan Menken, who recently composed the songs and scores for the film "Enchanted," in addition to "The Little Mermaid," "Beauty and the Beast," "Aladdin" and "Pocahontas."
2:15 - Menken on where musicals stem from and the path Enchanted took.
3:34 - Menken on what constitutes a musical breakthrough and the formula to get there.
5:27 - Menken on his personal connection with the film music he writes.
12:13 - Menken reveals why he writes in a vast range and how that translates into selecting singers.
13:54 - Menken explains the factors that go into initiating a film score.
17:55 - Menken on creative limitations.
18:22 - Menken talks about his upcoming film composing projects.
20:43 - Menken on what it means to have a voice as a film composer.
23:29 - End of the Film & TV Music Podcast, presented by APM Music, production music library.
This podcast is produced by APM Music, production music library.
Author: www.apmmusic.com
Type:mp3 Size:28447.6
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| 1/15/2008 4:44:47 PM
download MP3 (14.5 Mb)
| | Film & TV Music Podcast #28 - SPECIAL EPISODE, featuring Sondre Lerche, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference
This SPECIAL EPISODE, featuring Sondre Lerche, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference, takes you inside the business of music for pictures and focuses on the production and licensing of music for use in film, television, radio and new media.
SHOW NOTES:
0:11 - Intro - Billboard’s Executive Editor Tamara Conniff interviews composer Sondre Lerche, who recently composed the score to the movie “Dan in Real Life.”
1:09 - Lerche on how he was introduced to the film “Dan in Real Life.”
3:51 - Lerche reveals his method of inspiration for composing the movie’s score.
5:05 - Lerche on the challenge of composing music to represent dialogue for Steve Carell’s character throughout the film.
8:58 - Lerche explains how composing the movie’s score has helped him mature as a singer/songwriter.
9:59 - Lerche on how being a recording artist helped him create the movie’s soundtrack.
11:50 - End
If you would like to subscribe to this podcast please visit www.apmmusic.com/podcasts. If you have any questions or comments, please direct them to podcasts@apmmusic.com.
Author: www.apmmusic.com
Author: www.apmmusic.com
Type:mp3 Size:14840.7
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| 11/30/2007 6:30:00 PM
download MP3 (15 Mb)
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| | Film & TV Music Podcast #27 - SPECIAL EPISODE, featuring Judd Apatow and Jake Kasdan, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference
This SPECIAL EPISODE, featuring Judd Apatow and Jake Kasdan, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference, takes you inside the business of music for pictures and focuses on the production and licensing of music for use in film, television, radio and new media.
SHOW NOTES:
0:10 - Intro - Hollywood Reporter’s VP and Executive Editor Paula Parisi interview’s producers Judd Apatow and Jake Kasdan, who teamed up on the film “Walk Hard: The Dewey Cox Story.”
1:07 - Apatow and Kasdan on why they were inspired to create “Walk Hard: The Dewey Cox Story.”
1:35 - Apatow and Kasdan on their research for the movie’s script.
2:54 - Apatow and Kasdan discuss how they compressed biographies of iconic rock musicians in order to create an entertaining, comical movie.
4:16 - Apatow and Kasdan on the soundtrack of the movie.
5:07 - Apatow and Kasdan on the songwriters they worked with to create the film’s original score.
7:04 - Apatow and Kasdan on how the songs in the film have a profound message.
7:59 - Apatow and Kasdan on characters and events that helped inspire the lyrics of the songs.
8:34 - Apatow and Kasdan on cameo appearances by famous musicians throughout the film.
9:18 - Apatow and Kasdan on the songwriters’ ability to effectively compose the movie’s soundtrack.
11:15 - Apatow and Kasdan talk about their upcoming projects.
12:14 - End
If you would like to subscribe to this podcast please visit www.apmmusic.com/podcasts. If you have any questions or comments, please direct them to podcasts@apmmusic.com.
Author: www.apmmusic.com
Type:mp3 Size:15402.7
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| 11/16/2007 5:30:00 PM
download MP3 (17.8 Mb)
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| | Film & TV Music Podcast #26 - SPECIAL EPISODE, featuring Glen Ballard, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference
This SPECIAL EPISODE, featuring Glen Ballard, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference, takes you inside the business of music for pictures and focuses on the production and licensing of music for use in film, television, radio and new media.
SHOW NOTES:
0:12 - Intro - Hollywood Reporter’s Kevin Cassidy, Senior Features Editor, interviews composer Glen Ballard, who recently finished working on the movie “Beowulf.”
1:06 - Ballard on why composing the score for “Beowulf” was a particularly special opportunity for him.
2:50 - Ballard on researching music from fifth century England in order to create an authentic score for the movie.
4:02 - Ballard discusses how he used the actual screenplay itself as his inspiration.
6:22 - Ballard on the transition from writing pop/rock to composing scores for major motion pictures.
7:05 - Ballard shares his previous experience of working with Director Robert Zemeckis on “The Polar Express.”
8:37 - Ballard on what he has learned from working Robert Zemeckis.
10:07 - Ballard discusses his current projects for upcoming movies.
10:48 - Ballard on the freedom he experiences when composing music for fantasy genre movies.
12:13 - Ballard on why he is passionate about composing movie scores.
If you would like to subscribe to this podcast please visit www.apmmusic.com/podcasts. If you have any questions or comments, please direct them to podcasts@apmmusic.com.
Author: www.apmmusic.com
Type:mp3 Size:18261.4
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| 11/8/2007 11:01:12 AM
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| | Film & TV Music Podcast #25 - SPECIAL EPISODE, featuring Harry Gregson-Williams, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference
This SPECIAL EPISODE, featuring Harry Gregson-Williams, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference, takes you inside the business of music for pictures and focuses on the production and licensing of music for use in film, television, radio and new media.
SHOW NOTES:
1:03 - Intro - Author Dan Kimpel interviews music composer Harry Gregson-Williams, who’s recent projects include “Shrek 3,” “Déjà Vu,” “The Number 23,” and “Gone Baby Gone.”
1:59 - Gregson-Williams talks about his role creating the score for the motion picture “Gone Baby Gone.”
4:12 - Gregson-Williams shares his past experiences that lead him to become a major Hollywood composer.
9:53 - Gregson-Williams about his success as a film composer and his recent experiences helping other aspiring composers build their career.
14:06 - Gregson-Williams reveals the bond that is created when composing multiple scores for the same directors in Hollywood.
15:55 - Gregson-Williams describes the collaborative process with directors when composing a score for a film.
If you would like to subscribe to this podcast please visit www.apmmusic.com/podcasts. If you have any questions or comments, please direct them to podcasts@apmmusic.com.
Author: www.apmmusic.com
Type:mp3 Size:21164.7
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| 3/16/2007 2:00:38 PM
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| | Film & TV Music Podcast #24 - SPECIAL EPISODE, featuring Steve Winogradsky, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference
This is the sixteenth of 16 SPECIAL EPISODES, featuring Steve Winogradsky, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference, which takes you inside the business of music for picture and focuses on the production and licensing of music.
SHOW NOTES:
00:12 - Intro - Hollywood Reporter’s Paula Parisi, Editorial Director of Features, interviews Winogradsky Company President Steve Winogradsky.
1:31 - Winogradsky talks about what is essential for negotiating a mobile contract.
2:34 - Winogradsky shares the importance of creating a good contract to protect future ancillary income.
3:04 - Winogradsky describes what sort of ancillary income is available in the music business.
3:41 - Winogradsky discusses what parameters actually constitute an official sale in the mobile and digital world.
5:29 - Winogradsky shares his perspective on a record label’s current role in the music industry.
6:14 - Winogradsky talks about the difficulty for an individual to break into the mobile music market and the importance of advertising in the digital world.
10:33 - Winogradsky discusses the FCC’s growing presence in radio and broadcasting.
11:30 - Winogradsky describes why the FCC is showing interest in areas that are receiving funding via advertising revenue.
If you would like to subscribe to this podcast please visit www.apmmusic.com/podcasts. If you have any questions or comments, please direct them to podcasts@apmmusic.com.
Author: www.apmmusic.com
Type:mp3 Size:15507.2
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| 3/9/2007 3:47:48 PM
download MP3 (11.5 Mb)
| | Film & TV Music Podcast #23 - SPECIAL EPISODE, featuring Randy Spendlove, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference
This is the fifteenth of 16 SPECIAL EPISODES, featuring Randy Spendlove, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference, which takes you inside the business of music for picture and focuses on the production and licensing of music.
SHOW NOTES:
00:11 - Intro - Hollywood Reporter writer Ada Guerin interviews Paramount Pictures Executive Vice President of Music Randy Spendlove, who worked "Dreamgirls" and other movies such as "The Aviator" and "Frida."
1:31 - Spendlove talks about how many musical instruments he actually played in the movie "Dreamgirls."
2:16 - Spendlove describes the diversity musicians that performed various parts in "Dreamgirls," and how they managed to work around their various touring schedules.
3:08 - Spendlove discusses the challenges he of creating the music for the movie.
4:34 - Spendlove speaks about writer/director Bill Condon and his musical growth through the process of making "Dreamgirls."
5:11 - Spendlove talks about the evolution of the song "Listen" and the 35 different versions created during this process.
6:48 - Spendlove shares his feelings on the caliber of songs from "Dreamgirls" nominated for the Oscars.
7:33 - Spendlove describes how he felt about the Paramount and Dreamworks merger in the middle of production and how that may affect the movie.
8:33 - Spendlove addresses who he thinks should really win an Oscar for their work on "Dreamgirls."
9:04 - Spendlove gives a short autobiography and shares his experiences working with Associated Production Music.
If you would like to subscribe to this podcast please visit www.apmmusic.com/podcasts. If you have any questions or comments, please direct them to podcasts@apmmusic.com.
Author: www.apmmusic.com
Type:mp3 Size:11776.1
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| 3/2/2007 4:47:07 PM
download MP3 (9.4 Mb)
| | Film & TV Music Podcast #22 - SPECIAL EPISODE, featuring Josh Rabinowitz, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference
This is the fourteenth of 16 SPECIAL EPISODES, featuring Josh Rabinowitz, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference, which takes you inside the business of music for picture and focuses on the production and licensing of music.
SHOW NOTES:
00:12 - Intro - Hollywood Reporter writer Jeff Bond interviews SVP/Director of Music Grey Worldwide, Josh Rabinowitz.
1:21 - Rabinowitz shares the challenges of trying to find an artistic approach for music for commercials.
2:43 - Rabinowitz discusses how he found an artistic approach for a recent Pringles campaign that he worked on.
3:26 - Rabinowitz describes how the perspective of commercials as a respectable platform for music has changed over the past decade.
4:34 - Rabinowitz talks about finding other uses for the music that he creates for commercials.
5:51 - Rabinowtiz shares the level of difficulty for new bands breaking out through radio as opposed to TV commercials and shows.
6:54 - Rabinowitz describes how different brands are developing lasting relationships with artists.
If you would like to subscribe to this podcast please visit www.apmmusic.com/podcasts. If you have any questions or comments, please direct them to podcasts@apmmusic.com.
Author: www.apmmusic.com
Type:mp3 Size:9591.9
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| 2/23/2007 9:34:28 AM
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| | Film & TV Music Podcast #21 - SPECIAL EPISODE, featuring John Powell and Dan Butler, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference
This is the thirteenth of 16 SPECIAL EPISODES, featuring John Powell and Dan Butler, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference, which takes you inside the business of music for picture and focuses on the production and licensing of music.
SHOW NOTES:
00:11 - Intro - Journalist Dan Kimpel interviews music composer John Powell and Dan Butler SVP, Business & Legal Affairs/Music of Paramount Pictures, who both recently worked intensively on the movie "Happy Feet."
1:36 - Powell describes how "Happy Feet" came to be an "accidental musical."
4:00 - Butler talks about which songs were the most difficult for him to get the usage rights for the film and soundtrack.
5:49 - Powell shares why the final moments of the soundtrack are so frenetic musically and why he chose this unusual combination of songs.
7:10 - Powell discusses why different penguins needed different styles of music for their songs.
7:43 - Butler on how much involvement he had with the movie "Happy Feet," from start to finish.
8:31 - Powell describes why some songs are shortened in the movie and full version in the soundtrack.
10:00 - Powell and Butler talk about how well Brittany Murphey, Nichole Kidman, Robin Williams and other stars sing.
11:32 - Powell discusses the strange mix of singing and acting that the talent had to deal with in the movie and how he helped the stars in preparing for their musical performances.
12:30 - Powell on his singing talent.
12:59 - Powell and Butler share the challenges their geographical differences create the caliber of the musical talent they pooled for the film.
16:09 - Powell talks about creating the massive choral tracks with an over 500 hundred member choir.
18:17 - Powell describes what other sounds the choir group created for in the movie.
18:57 - Powell shares what difficulties he had in creating sounds for the movie to match the environment and feel of the CG movie.
20:12 - Powell discusses how the environmental issues influenced the recording artists.
If you would like to subscribe to this podcast please visit www.apmmusic.com/podcasts. If you have any questions or comments, please direct them to podcasts@apmmusic.com.
Author: www.apmmusic.com
Type:mp3 Size:25513.8
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| 2/16/2007 2:38:28 PM
download MP3 (9.6 Mb)
| | Film & TV Music Podcast #20 - SPECIAL EPISODE, featuring Olivia Newton-John, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference
This is the twelfth of 16 SPECIAL EPISODES, featuring Olivia Newton-John, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference, which takes you inside the business of music for picture and focuses on the production and licensing of music.
SHOW NOTES:
00:13 - Intro - Hollywood Reporter's editorial director of features Paula Parisi interviews Olivia Newton-John, Grammy Award winning artist and star of such films as Grease and Xanadu.
1:32 - Newton-John talks about why she attended the conference and what she talked about.
2:10 - Newton-John describes why her newest work is described as healing and what kinds of healing that it is supposed to provide for the listener.
2:53 - Newton-John discusses how the perception and role of women in the music industry has changed since she first started her career.
3:49 - Newton-John explains why she has no interest in becoming a music supervisor or music producer.
4:29 - Newton-John talks about whether or not she would ever have any interest in composing an original song for a project.
5:12 - Newton-John describes what it is like to market a CD today as opposed to just a few years prior, especially for artists in her genre. She also goes on to talk about what her goals are, musically.
6:44 - Newton-John discusses what other products she markets besides music, and why she is selling these particular products.
If you would like to subscribe to this podcast please visit www.apmmusic.com/podcasts. If you have any questions or comments, please direct them to podcasts@apmmusic.com.
Author: www.apmmusic.com
Type:mp3 Size:9832.7
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| 2/9/2007 3:52:21 PM
download MP3 (15.5 Mb)
listen audio
| | Film & TV Music Podcast #19 - SPECIAL EPISODE, featuring Laura Engel, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference
This is the eleventh of 16 SPECIAL EPISODES, featuring Laura Engel, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference, which takes you inside the business of music for picture and focuses on the production and licensing of music.
SHOW NOTES:
00:14 - Intro - Hollywood Reporter writer Jeff Bond interviews Laura Engel, of Kraft-Engel Management, who represents such film composers as Danny Elfman, Phillip Glass and Angelo Badalamenti.
1:40 - Engel describes her conversation with John Ottman and how she feels about Superman Returns, the movie she recently worked on with him.
2:37 - Engel discusses what it was like transitioning from her rock background of managing Oingo Boingo into her career with music for motion pictures. Also, she discusses how Danny Elfman was instrumental to that transition and what her current job entails.
6:11 - Engel talks about what sort of changes, especially technologically, there have been in the way composers work on music over the past decade.
7:16 - Engel shares what pictures she is working on now that really excite her.
8:50 - Engel describes how much involvement she has with her clients and their music projects outside of the film music area.
10:45 - Engel shares who she thinks are the most interesting newcomer composers.
11:52 - Engel discusses the impact iTunes has on the way her clients release their music.
If you would like to subscribe to this podcast please visit www.apmmusic.com/podcasts. If you have any questions or comments, please direct them to podcasts@apmmusic.com.
Author: www.apmmusic.com
Type:mp3 Size:15883.2
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| 2/2/2007 4:50:21 PM
download MP3 (12.1 Mb)
| | Film & TV Music Podcast #18 - SPECIAL EPISODE, featuring Brian Lambert, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference
This is the tenth of 16 SPECIAL EPISODES, featuring Brian Lambert, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference, which takes you inside the business of music for picture and focuses on the production and licensing of music.
SHOW NOTES:
00:11 - Intro - Hollywood Reporter writer Jeff Bond interviews Brian Lambert, Vice President of Film and TV music at Universal.
1:14 - Brian Lambert talks about the change in the music business over the past few years, how much piracy has affected their long term business and the biggest changes in the advertising markets.
2:42 - Lambert discusses one of his recent personal experiences while working on a campaign dealing with ring tones created by Mariah Carey for Pepsi.
4:14 - Lambert describes how changes in technology have altered his dealings with record labels.
5:26 - Lambert discusses the increased importance of ads as a potential platform for artists.
6:55 - Lambert talks about the balance of power between movie and TV soundtracks and how that has changed in the past few years.
8:12 - Lambert describes why the lack of a soundtrack market hasn’t altered the way he deals with film projects and their soundtrack records.
8:47 - Lambert discusses the biggest challenges and pressures in his work over the past few years.
9:29 - Lambert lists the biggest things he looks to for producing a dependable cash flow.
If you would like to subscribe to this podcast please visit www.apmmusic.com/podcasts. If you have any questions or comments, please direct them to podcasts@apmmusic.com.
Author: www.apmmusic.com
Type:mp3 Size:12436.8
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| 1/26/2007 2:28:48 PM
download MP3 (10.8 Mb)
| | Film & TV Music Podcast #17 - SPECIAL EPISODE, featuring Jesper Kyd, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference
This is the ninth of 16 SPECIAL EPISODES, featuring Jesper Kyd, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference, which takes you inside the business of music for picture and focuses on the production and licensing of music.
SHOW NOTES:
00:13 - Intro - Billboard's executive editor Tamara Conniff interviews Jesper Kyd, the British Academy Award winning composer of video games, including the Hitman series and Splinter Cell: Chaos Theory.
1:51 - Jesper Kyd describes the differences between scoring a video game and scoring for motion pictures.
2:58 - Kyd talks about the length of video game scores and reveals what the next generation of games scores will be like.
3:43 - Kyd discusses how he works to make repetitious tracks in video games more captivating.
5:15 - Kyd describes the new methods he is experimenting with to create a new sound that has real depth, and why video games are more conducive to this style of experimentation.
7:51 - Kyd talks about where his love of video games and music came from and how it helped form his musical style.
If you would like to subscribe to this podcast please visit www.apmmusic.com/podcasts. If you have any questions or comments, please direct them to podcasts@apmmusic.com.
Author: www.apmmusic.com
Type:mp3 Size:11077.1
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| 1/19/2007 5:26:00 PM
download MP3 (17.9 Mb)
| | Film & TV Music Podcast #16 - SPECIAL EPISODE, featuring Doug Frank, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference
This is the eighth of 16 SPECIAL EPISODES, featuring Doug Frank, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference, which takes you inside the business of music for picture and focuses on the production and licensing of music.
SHOW NOTES:
00:12 - Intro - Hollywood Reporter's editorial director of features Paula Parisi interviews Doug Frank, president of music operations for Warner Brothers Pictures.
1:24 - Doug Frank discusses the trends that are prevalent in music today.
1:57 - Frank describes the sales rates for soundtracks and what one company is doing to create success in the soundtrack market.
2:22 - Frank talks about the impact that the iPod and digital music downloads have had on soundtrack sales.
3:23 - Frank gives his opinion on what the future holds for music sales and soundtrack albums with the advent of new digital platforms.
4:13 - Frank discusses which motion picture soundtracks he is working on.
6:52 - Frank describes how the budgets for soundtracks are compared to rising movie production costs and what the goal of a good soundtrack is.
8:23 - Frank talks about how much involvement he has with television animation.
9:04 - Frank describes the role Loony Tunes and other cartoons had in promoting Warner Brothers' music catalog.
11:54 - Frank describes his musical background and how important it is for a position as a music supervisor.
If you would like to subscribe to this podcast please visit www.apmmusic.com/podcasts. If you have any questions or comments, please direct them to podcasts@apmmusic.com.
Author: www.apmmusic.com
Type:mp3 Size:18283.1
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| 1/12/2007 5:22:41 PM
download MP3 (5.4 Mb)
| | Film & TV Music Podcast #15 - SPECIAL EPISODE, featuring Danny Elfman, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference
This is the seventh of 16 SPECIAL EPISODES recorded at the Hollywood Reporter/Billboard Film & TV Music Conference, which takes you inside the business of music for picture and focuses on the production and licensing of music.
SHOW NOTES:
00:10 - Intro - Billboard's executive editor Tamara Conniff interviews Danny Elfman, the Grammy Award winning composer of such motion pictures as "The Nightmare Before Christmas," "Batman," "Men in Black" and "Charlotte’s Web," and such television series as "The Simpsons" and "Desperate Housewives."
1:05 - Elfman talks briefly about what motion picture projects he is currently working on.
1:27 - Elfman discusses how long motion pictures take to produce, depending on the movie’s genre.
2:18 - Elfman describes how he handles being called in at the last second to compose music for different projects.
3:27 - Elfman gives a description about his latest project, the CD "Serenada Schizophrana," and the difficulty he had creating music without an image to provide him with inspiration.
If you would like to subscribe to this podcast please visit www.apmmusic.com/podcasts. If you have any questions or comments, please direct them to podcasts@apmmusic.com.
Author: www.apmmusic.com
Type:mp3 Size:5501.8
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| 1/5/2007 4:33:04 PM
download MP3 (31.9 Mb)
| | Film & TV Music Podcast #14 - SPECIAL EPISODE, featuring Robert Kraft, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference
This is the sixth of 16 SPECIAL EPISODES, featuring Robert Kraft, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference, which takes you inside the business of music for picture and focuses on the production and licensing of music.
SHOW NOTES:
00:12 - Intro - Hollywood Reporter's editorial director of features Paula Parisi interviews Robert Kraft, chief executive of Fox Music.
1:19 - Robert Kraft describes the necessary components to make Fox Music successful, including the business side, which deals with music licensing, and the musical side that deals with music for films and television shows. He also talks about the level of involvement the creative departments of Fox Music has in individual productions.
3:53 - Kraft talks about the number of people that work at Fox Music and the divisions they work in.
4:27 - Kraft discusses his various duties as the CEO of Fox Music, including meeting with directors and producers and going to film screenings to approve final soundtracks.
6:42 - Kraft describes how involved he is in discovering new musical talent and bringing them to Fox Films. He also lists bands he has helped bring into movies, including Evanescence.
9:21 - Kraft gives his opinion on the best way people can get their music introduced into films.
10:38 - Kraft talks about the places he goes to find new music and the type of music that interests him most.
13:02 - Kraft explains why film music is less profitable today.
14:54 - Kraft talks about the difficulties of catching unsigned bands right before they become successful and the differences between amateur artists versus professional bands.
17:48 - Kraft discusses the importance his musical background plays in his job and level of success.
20:54 - Kraft talks about which composers really impress him and why they impress him.
22:50 - Kraft describes what usually happens if a musical score is not working for a motion picture, how he deals with the composer and the score when that happens and what sort of responses a film studio has if they feel a film score is not working.
26:10 - Kraft tells which of his songs and movies were nominated for Academy Awards.
If you would like to subscribe to this podcast please visit www.apmmusic.com/podcasts. If you have any questions or comments, please direct them to podcasts@apmmusic.com.
Author: www.apmmusic.com
Type:mp3 Size:32655.6
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| 12/22/2006 3:36:00 PM
download MP3 (7.2 Mb)
| | Film & TV Music Podcast #13 - SPECIAL EPISODE, featuring Rio Caraeff, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference
This is the fifth of 16 SPECIAL EPISODES recorded at the Hollywood
Reporter/Billboard Film & TV Music Conference, which takes you inside the business of music for picture and focuses on the production and licensing of music.
SHOW NOTES:
00:10 - Intro - Hollywood Reporter's editorial director of features Paula Parisi interviews Rio Caraeff, Vice President and General Manager for Universal Music Mobile US. Caraeff discusses cell phone use for digital music, the world-wide market of cell phones and the popularity of certain genres of digital music.
1:21 - Rio Caraeff describes the type of people who typically use cell phones for digital music, including songs and ring tones, and what percentage of the cell phone market they make up.
2:51 - Caraeff talks about the world-wide usage of cell phones, such as how many phones are sold every year and what areas in the world have major growth in cell phone use and sales. He also talks about the many different uses people have for cell phones world- wide, such as instant messaging, music and gaming, amongst others.
4:25 - Caraeff discusses in what areas UMM-US has had the most success in their mobile music business. He also talks about the current change in trends from downloading only ring tones onto cell phones to full length songs and music videos.
5:59 - Caraeff describes what genres of music are currently the most popular for download, including rap and hip-hop and he also discusses how their music catalog is starting to change from the current popular genres to others like rock or oldies.
If you would like to subscribe to this podcast please visit www.apmmusic.com/podcasts. If you have any questions or comments, please direct them to podcasts@apmmusic.com.
Author: www.apmmusic.com
Type:mp3 Size:7379.4
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| 12/15/2006 12:03:44 PM
download MP3 (7.2 Mb)
| | Film & TV Music Podcast #12 - SPECIAL EPISODE, featuring Terence Blanchard, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference
This is the fourth of 16 SPECIAL EPISODES recorded at the Hollywood
Reporter/Billboard Film & TV Music Conference, which takes you inside the business of music for picture and focuses on the production and licensing of music.
SHOW NOTES:
00:09 - Intro - Hollywood Reporter's features editor Kevin Cassidy interviews critically acclaimed Grammy Award winning composer and trumpet player, Terence Blanchard, who has composed music for such motion pictures as "Malcolm X," "Jungle Fever," and "Barber Shop." Blanchard talks about working on motion pictures, his experiences with music composition and when he first started working on film music.
1:19 - Terence Blanchard describes how he felt about filming a specific scene in the Spike Lee film, "When the Levees Broke: A Requiem in Four Acts," which was filmed one block away from his mother’s house in New Orleans.
2:47 - Blanchard discusses dividing his time between his jazz touring and his work as a film composer and the challenges this creates for his band and management team.
3:20 - Blanchard talks about when he initially developed an interest in film music and scores and when he started paying attention to the music in the movies he watched.
4:04 - Blanchard shares what inspired him to start studying film music.
4:38 - Blanchard talks about what influences him when he writes film music and how all the individual elements of a film’s music come together when he is composing.
5:18 - Blanchard discusses his specific melodic style and how he chooses which motion pictures to work on based on his style of composing. Also, he describes the challenges he faces when composing for directors that have specific ideas about how certain elements of a score should be arranged.
6:57 - Blanchard talks about his upcoming work called "Talk to Me," starring Don Cheadle and directed by Kasi Lemmons.
If you would like to subscribe to this podcast please visit www.apmmusic.com/podcasts. If you have any questions or comments, please direct them to podcasts@apmmusic.com.
Author: www.apmmusic.com
Type:mp3 Size:7352
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| 12/7/2006 1:31:45 PM
download MP3 (10.5 Mb)
| | Film & TV Music Podcast #11 - SPECIAL EPISODE, featuring Maureen Crowe, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference
This is the third of 16 SPECIAL EPISODES recorded at the Hollywood Reporter/Billboard Film & TV Music Conference, which takes you inside the business of music for picture and focuses on the production and licensing of music.
SHOW NOTES:
00:11 - Intro - Hollywood Reporter's contributing editor Jeff Bond interviews Maureen Crowe, music supervisor and A&R record executive who has worked on movies such as "Chicago," "The Bodyguard," and "Wayne's World." Crowe talks about how new media has affected record executives, how movie and television producers differ in their use of music and how new artists are being developed.
1:36 - Maureen Crowe describes how new media such as iTunes and YouTube impacts her job.
2:51 - Crowe discusses how changes in the record business has altered the way she works and how motion picture soundtracks have created opportunities for independent labels outside of the major record companies. Crowe also touches upon how music artists create soundtracks that are specifically tailored towards the needs of film producers. Also, she briefly talks about why producers of television shows, such as "Grey's Anatomy," have been so successful with music and how such differs from the success of film producers.
6:50 - Crowe talks about why TV is a good platform for developing music and the influence that the writer/producer has on the creation of a show's soundtracks.
08:16 - Crowe discusses the biggest challenges she faces when putting a project together, including managing the different expectations marketing executives and directors have for a movie's soundtrack. She also talks about how music is often perceived as a low priority by studios when producing a motion picture and about the difficulties of trying to create singles and videos for a movie.
If you would like to subscribe to this podcast please visit www.apmmusic.com/podcasts. If you have any questions or comments, please direct them to podcasts@apmmusic.com.
Author: www.apmmusic.com
Type:mp3 Size:10763.1
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| 11/28/2006 11:34:17 AM
download MP3 (10.8 Mb)
| | Film & TV Music Podcast #10 - SPECIAL EPISODE, featuring Tom Tykwer, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference
This is the second of 16 SPECIAL EPISODES recorded at the Hollywood Reporter/Billboard Film & TV Music Conference, which takes you inside the business of music for picture and focuses on the production and licensing of music.
SHOW NOTES:
00:10 - Intro - Hollywood Reporter's contributing editor Jeff Bond interviews Tom Tykwer, the German director, writer, and composer of such works as, "Perfume: The Story of a Murderer" and "Run, Lola, Run." Tykwer talks about the drastic differences a film composer can make in a film or TV project if they are involved early on in the production process and how and why his own history as a director and film composer for all his movies has created this stance.
1:23 - Tykwer discusses composing the music for all of his films since the beginning of his film career and even for his first feature film, "Deadly Maria." Also, he explains why he wanted to join up with Reinhold Heil and Johnny Klimek, co-composers who have created original music scores for such films as "George A. Romero's Land of the Dead," and "One Hour Photo" and have created original music for the television series "Deadwood," among others.
3:01 - Tykwer talks about how much attention, and why, he pays to other film composers' works, and how his style differs from the normal music composition standards. Also, he describes what he thinks about the state of music composition in the modern era with regards to pre-production composer involvement versus post-production composer involvement and how that affects the craft of a composer and his/her importance to the atmosphere of a motion picture.
5:33 - Tykwer discusses the importance of the music tracks in his latest work, "Perfume: The Story of a Murderer," especially because of the movie's focus on the sense of smell and the need to trigger a deep emotional response in the audience through music because of the inherent inability of a movie to convey smell. He also talks about the creative process that they went through with orchestra members and conductors to pick the right sound for the movie.
7:50 - Tykwer discusses the process of co-composing and the advantage of working with two other composers that he has had a long history of creating music with. He discusses how they create the music with digital music, or instrumental, such as with a piano or a guitar, to create the right sound for the scenes in the film.
9:46 - Tykwer describes the advantages of getting composers involved with the creative process and how he thinks that would affect the making of other motion pictures. He also talks about how it would help the artistic processes of the composers in creating better music for a movie.
If you would like to subscribe to this podcast please visit www.apmmusic.com/podcasts. For more information about the film and its soundtrack, please visit http://www.perfumemovie.com/. If you have any questions or comments, please direct them to podcasts@apmmusic.com.
Author: www.apmmusic.com
Type:mp3 Size:11010.1
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| 11/20/2006 5:40:42 PM
download MP3 (10.8 Mb)
| | Film & TV Music Podcast #9 - SPECIAL EPISODE, featuring Reinhold Heil and Johnny Klimek, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference
This is the first of 16 SPECIAL EPISODES recorded at the Hollywood Reporter/Billboard Film & TV Music Conference, which takes you inside the business of music for picture and focuses on the production and licensing of music.
SHOW NOTES:
00:11 - Intro - Hollywood Reporter's contributing editor Jeff Bond interviews Reinhold Heil and Johnny Klimek, the co-composers of the original music scores for such films as "Run, Lola, Run," "George A. Romero's Land of the Dead," and "One Hour Photo" and have created original music for the television series "Deadwood," among others. Heil and Klimek talk about co-composing the music for their latest film project, the German motion picture "Perfume: The Story of a Murderer." They also discuss the process of creating the music for the movie, the challenges, and the difference between composing original music now versus prior to the age of digital music.
1:24 - Heil and Klimek discuss the opportunity to create an original motion picture score with Tom Tykwer, the director and writer of "Perfume: The Story of a Murderer" and other works such as "Run, Lola, Run," and the differences between creating the original film score for this movie with him and working on their usual projects with other directors.
4:32 - Heil and Klimek talk about working on this movie from pre-production to post production, how creating their own temporary tracks for use during the filming process compared to the use of commercial tracks and how such affected the entire film and prevented the common problem temporary tracks usually pose for composers, such as "temp love" and the similarity of motion picture soundtracks.
6:20 - Heil and Klimek describe the creation of the score for a particular memorable scene, in which the main character first shows his obsession with women and aroma when seeing a girl carrying plums in a Paris alleyway. Also, they discuss the impact of 1940's Hollywood score pieces on the songs.
8:22 - Heil and Klimek talk about the differences between their own symbiotic style of joint composition compared to rest of the music industry's standard joint composition style and the difference between modern music composition standards versus earlier ones in the approval of composed music with music supervisors, editors, and post-production producers.
If you would like to subscribe to this podcast please visit www.apmmusic.com/podcasts. For more information about the film and its soundtrack, please visit http://www.perfumemovie.com/. If you have any questions or comments, please direct them to podcasts@apmmusic.com.
Author: www.apmmusic.com
Type:mp3 Size:11106
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| 8/9/2006 11:12:44 AM
download MP3 (23.6 Mb)
| | Film & TV Music Podcast #8
Trailer Park president Benedict Coulter, Trailer Park music supervisor Pete Hasty and Brian Brasher, who leads the motion picture licensing unit at APM, discuss selecting the right music for a movie trailer and the role a trailer plays in the overall success of a film.
SHOW NOTES:
0:15 – Introduction.
2:50 – Brian Brasher talks about the different types of trailers there are, how APM helps trailer directors find the right music and how music is delivered.
5:45 – Pete Hasty, music supervisor for the award-winning Munich trailer, talks about how he decided what music to use for the Munich trailer, the process of choosing music for use in trailers, the amount of cues he has to choose from, the role the trailer music of Munich played in generating sales at the box office and working with motion picture marketing executives.
17:10 – Benedict Coulter, live from the red carpet at the 2006 Key Art Awards, talks about Trailer Park’s nominations, what makes a great trailer, the hardest part of putting a trailer together, how to find the right music for a trailer, whether a trailer can make or break a movie, how word-of-mouth plays a role in the success of a trailer, what makes a great music supervisor and how the business of trailer music has changed over the years and where it is heading.
22:16 – Music Medley. 1) Dark Creature by Veigar Margeirsson 2) Drummers of God by Dan Graham 3) The End Is Near by Mark Ashworth 4) Journey to the Edge by Veigar Margeirsson 5) Total Invasion Force by Dan Graham 6) Cougar by Mark Ashworth 7) Desert Parade by Veigar Margeirsson. All six production music tracks are available in the APM music library, and are in the West One music library specifically.
Author: www.apmmusic.com
Type:mp3 Size:24152.4
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| 7/24/2006 12:14:47 PM
download MP3 (18.6 Mb)
| | Film & TV Music Podcast #7
Jon Bloom, veteran of the trailer business, and Giselle Vasconez, a senior executive at APM, go inside the movie trailer business live from the 2006 Key Art Awards to help listeners understand what makes a successful trailer.
SHOW NOTES:
0:16 – Introduction
2:20 – Giselle Vasconez discusses the music APM offers, what her role is at APM, what differentiates trailer music from other kinds of library music, the importance of using music created uniquely for a trailer, working with motion picture marketing executives and music supervisors and the growth of the trailer music market.
12:07 – Jon Bloom of Bloom Films talks about how to make a great movie trailer, how music contributes to the success of a trailer, how to find the right music for trailers and how the quality of music available in libraries has changed over the years,
16:40 - Music Medley. 1) Day of Destiny by Richard Wells 2) Life by Simone Benyacar and Craig Garfinkle 3) Dark Hero by Inon Zur 4) Strength & Honor by Gregor Narholz 5) Dramatic Fantastic by Inon Zur 6) Flash Gordy by Gabriel Shadid and Tobias Marberger. All six production music tracks are available in the APM music library, and are in the KPM, Siren Cues, Bruton Music, Sonoton Music and Epic Score music libraries specifically.
Author: www.apmmusic.com
Type:mp3 Size:19012
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| 7/13/2006 3:40:37 PM
download MP3 (14.5 Mb)
| | Film & TV Music Podcast #6
Sid Ganis, president of the Academy of Motion Pictures Arts and Sciences, Jeff Garlin of the hit HBO original series Curb Your Enthusiasm, and Award-Winning movie trailer editor Ellen Dimler speak live from the 2006 Key Art Awards about the secret to creating movie trailers that get butts in seats.
SHOW NOTES:
0:15 - Introduction
3:26 - Sid Ganis, who once ran the motion picture marketing campaign for Star Wars, talks about how to market a motion picture successfully, how the business of marketing a motion picture has changed, and the importance of developing and maintaining a fan base for movie franchises.
5:46 – Jeff Garlin, comedian, co-star and executive producer, talks about what makes a great movie trailer, the importance of using the right music for a movie trailer, how trailers play a role in the success of a motion picture, and who his favorite film composers are.
11:26 – Ellen Dimler, editor of the winning drama trailer Jarhead, talks about the process of editing a trailer, how the music of Jarhead's trailer contributed to its success, and how she decided to select the music for Jarhead's trailer.
14:20 - Music Medley. 1) Possessed Orchestra by Maarten Spruijt 2) The Time Has Come by Gabriel Shadid and Tobias Marberger 3) Fearless by Veigar Margeirsson 4) Is It Dead Yet? by Maarten Spruijt 5) Panic Attack by Gabriel Shadid and Tobias Marberger 6) Agenda by Gabriel Shadid and Tobias Marberger 7) Behind You by Simone Benyacar and Craig Garfinkle. All seven production music tracks are available in the APM music library, and are in the Epic Score and Siren Cues music libraries specifically.
Author: www.apmmusic.com
Type:mp3 Size:14837.5
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| 7/7/2006 5:28:12 PM
download MP3 (27.6 Mb)
| | Film & TV Music Podcast #5
Accomplished trailer music composer Gabe Shadid and APM music director Edwina Travis-Chin go inside the trailer music business to reveal to listeners the secret of creating trailer music.
SHOW NOTES:
0:17 – Introduction.
1:42 - Edwina Travis-Chin, music director at APM, talks about how trailers are musically structured, the musical styles that are most commonly used in trailers, tailoring music to unique trailer campaigns, how APM is meeting the needs of the motion picture trailer market, and how technology has impacted the music library business.
12:48 – Gabe Shadid, trailer music composer, talks about what promo music is and the role it plays in catching the attention of viewers, the different types of promos available, and how his experiences as a TV mixer lead him to composing trailer music.
16:54 - Shadid on the projects he worked on in a recording studio in Washington D.C., how his experiences in D.C. prepared him to work in motion picture and television, how bloggers are influencing movie promos, the sounds of the Epic Score library collection, the importance of incorporating percussion in trailers, and why he decided to work with APM.
26:03 - Music Medley. 1) OMG Run 2) Panic Attack 3) Your Destiny is Coming 4) Tripped Wire 5) Drums of Thunder 6) Mutilated 7) Forced Entry 8) False Identity. All eight production music tracks are composed by Gabe Shadid and Tobias Marberger and are featured in the Epic Score Music Library.
Duration: 30:06
Author: www.apmmusic.com
Type:mp3 Size:28233.9
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| 6/15/2006 4:14:29 PM
download MP3 (14.9 Mb)
| | Film & TV Music Podcast #4
Legendary video game composer Chance Thomas and APM executive Erin Collins reveal the secrets of scoring music for film, the creative process behind creating music for picture, and the talented composers who have contributed to the Endgame Music Library.
SHOW NOTES:
0:16 – Introduction
1:55 – Erin Collins, director of marketing at APM, discusses the unique ability of video game composers to write music for the film and TV industry, APM’s reasons for launching the Endgame Music Library, and the composers that contributed, including Chance Thomas, whose music extends from motion picture scores for video games to television commercials.
4:50 – Chance Thomas, video game music composer for game versions of Lord of the Rings, X-Men, and King Kong, talks about his theme song for King Kong winning the prestigious GANG award for best original instrumental theme, how he was creatively inspired to write the themes of King Kong, and the process of creating the tracks of Lord of the Rings.
7:31 – Thomas on being one of the first composers to use live orchestras in game scores, the emotional appeal of the orchestra and human voice, his experiences writing a score for the Academy Award-winning film The ChubbChubbs, why he got involved with APM and the Endgame Music Library, the cues he contributed and the differences between scoring for advertising versus games.
13:30 – Music Medley. 1) Maritime Adventures 2) Down in the Bayou 3) Caribbean Breeze 4) Smash Factory 5) The Old’ Swimming Hole. All five production music tracks are composed by Chance Thomas and featured in the Endgame Music Library.
Duration: 16:18
Author: www.apmmusic.com
Type:mp3 Size:15292.8
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| 5/26/2006 4:26:11 PM
download MP3 (20.9 Mb)
| | Film & TV Music Podcast #3
Inon Zur, video game composer for best-selling game titles Prince of Persia: The Two Thrones, Men of Valor, and Champions of Norrath: Realms of Everquest and founder and CEO of Four Bars Intertainment Bob Rice go inside the business of composing for video games to help listeners understand the music gamers crave most.
SHOW NOTES:
0:15 Introduction
2:26 Bob Rice, veteran of video game music who has represented top video game composers for decades and who understands what type of music gamers want most, talks about his involvement in the video game music business, how video game music composers benefit from licensing their music for use in film, TV shows, and trailer advertisement, his familiarity with the production music industry and what lead him to APM.
7:48 Inon Zur on how he broke into the video game business, why he decided to get involved with the Endgame Music Library, and the story behind the making of the album Dramatic Fantastic, which features an eighty piece orchestra and forty person choir.
14:39 Zur talks about matching the music to the game genre, scoring for role playing games versus shooting games, the similarities between the type of music that works in a trailer and the type that works in a video game, and the cues he has contributed to the Endgame Music Library.
19:56 Music Medley. 1) Treasure Hunt from the disc ADVENTURE STORIES. 2) For the Heroes from the disc DARK HEROES. 3) Clouds of War from the disc DARK HEROES. All three production music tracks are composed by Zur and featured in the Endgame Music Library.
Duration: 22:50
Author: www.apmmusic.com
Type:mp3 Size:21408.7
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| 5/19/2006 5:38:46 PM
download MP3 (15.5 Mb)
| | Film & TV Music Podcast #2
APM THIRD ELEMENT head Rob Cairns and video game composer Jack Wall discuss the use of production music for video games and the process of licensing video game music.
SHOW NOTES:
0:15 – Introduction.
1:57 – Rob Cairns, head of APM’s internal video game music licensing division THIRD ELEMENT, talks about providing production music for video games, the approval process for licensing video game music at game companies, and the nature of APM’s contracts with game companies.
6:07 – Jack Wall, video game composer for the Myst game series and many other popular titles, talks about his background, the differences between scoring for film versus games, and the types of cues that he contributed to the Endgame Music Library.
15:42 –Two featured music tracks from Wall in the Endgame Music Library: Dune Caravan from the disc World Drama Beats and Dark Odyssey from the disc Dark Drama.
Author: www.apmmusic.com
Type:mp3 Size:15901.7
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| 5/9/2006 9:46:56 PM
download MP3 (20.9 Mb)
| | Film & TV Music Podcast #1
Video game music composer Tommy Tallarico (Advent Rising, Tony Hawk Pro Skater) and APM Music President Adam Taylor discuss the video game music business and the launch of Endgame Music Library.
SHOW NOTES:
00:10 – Introduction.
1:55 – Adam Taylor, president of APM, talks about APM’s involvement in the video game business, the type of music used in video games, and APM’s new Endgame Music Library, which licenses video game music from top composers for use as TV music and film music.
10:08 – Tommy Tallarico, video game composer for game titles including Earthworm Jim, Aladdin, Metroid Prime, Tony Hawk Pro Skater, and Spider-Man discusses his television show Electric Playground, the non-profit organization G.A.N.G., his concert series Video Games Live, and why he got involved with library music and APM.
18:52 – Tallarico on what makes a great video game music cue, what differentiates video game music from television music, and who his creative influencers are.
23:32 – Featured production music tracks from Tallarico in the Endgame Music Library: Altar of Lucifer, Zartoshira Ensouled, and Mythos Templar. All tracks are of the disc titles “Gothic Drama by Tommy Tallarico” in the Endgame Music Library.
Duration: 26:04
Author: www.apmmusic.com
Type:mp3 Size:21389.3
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![[ 12/5/2008: Film & TV Music Podcast #37 - SPECIAL EPISODE, featuring composer Clint Mansell, recorded at the Hollywood Reporter/Billboard Film & TV Music Conference ]](../images/t7/read_more.gif)
